Lost Years: A Memoir 1945 - 1951 Review

Lost Years: A Memoir 1945 - 1951
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Lost Years: A Memoir 1945 - 1951 ReviewThis memoir raises the bar for sexual candor way above what we are used to, and that is a good thing. Isherwood, in commenting and elaborating on his sketchy daily calendar notes for these years, takes a fiercely critical view of himself and his obsessions and, in the process, reveals the very funny and humane man behind the suave, mannerly one we have been familiar with up to now. From what he describes, gay life in Los Angeles during these years was covert yet very, very wild. He was a busy guy, both professionally and personally. His portraits of his friends, lovers, tricks, flirtations and coworkers in the film industry are vivid and viscerally engaging. When Isherwood wrote this memoir in the 1970s he no longer had any use for euphemisms and politesse and, consequently, he simply calls a three-way a three-way and says who did what to whom in what order and whether he later went back for more. What comes through loud and clear is that Isherwood loved the sex he had, and that he had no time for those suffering Saras and Sams who claimed that shame and suffering lurk behind the lure of sensuality. The body was a temple to him and he attended services every day and often more than once a day. When he set out to have fun with the boys, he had fun with the boys. When he had lunch with Garbo, he had a GREAT lunch with Garbo; and when he talked with Ava Gardner as a pal, he dedicated 100% of his attention to her. Does knowing this much intimate detail diminish Isherwood-the-writer? If anything, this brilliant, dishy and hilarious memoir deepens my regard for the Isherwood who produced the fiction classics like The Berlin Stories and A Single Man. I am in awe of his honesty.Lost Years: A Memoir 1945 - 1951 Overview

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